Satans and Shaitans tells a story of an international multi-faith occult group
called the Sacred Order of the Universal Forces, whose members in Nigeria
established a terrorist organization called the Jama’atul al-Mujahideen Jihad –
with the general objective of Islamizing northern Nigeria and controlling the
Nigerian political space. It is a strong story rooted in Christianity and
Islam, and most of the happenings in Nigeria today happened in the novel. That
is my fear, it makes me afraid, like I am a prophet and my prophesies are
- Obinna Udenwe, author of Satans and Shitans.
One of my favourite Nigerian writers, Obinna
Udenwe, has a new novel coming out in the second quarter of 2014. I met Obinna
Udenwe in the 2011 edition of Fidelity Bank’s creative writing workshop. Obinna
is a talented author and one you need to know. His stories are a delight
to the senses. Good thing he has granted me an interview. I hope you enjoy reading.
interview, Obinna discusses his new novel, Satans and Shitans which will be
published by Jacaranda Books in the United Kingdom.
1. Obinna Udenwe, You spent seven
whole years researching and working on this novel, Satans and Shitans. How were
you able to sustain your interest in the work, and not lose steam?
it was because the story passed through a lot of evolutionary processes
(laughs). It metamorphosed from just a romance novel to a crime fiction – so
throughout this time that the story was being changed from a romance novel, to
a novel about the occult to that of conspiracy and terrorism, it was enticing,
it was interesting. The story got out of my control. In 2007 it was a story
about love, and then in 2010 it was about the occult, and the next thing I
knew, it metamorphosed into a conspiracy theory. There was a time I stayed
close to a year without working on it at all. I think it was in 2011, so each
time I read the story after a long wait, and after research, it was as if I was
reading a new work – so that made it adventurous and delighting, but daunting
2. Satans and Shitans is a very
interesting title, and boasts of controversial themes. You say it’s a love
story and a story about Muslim and Christian cultists. How do you expect your
audience to view this novel?
wanted to obliterate a stereotype that only Muslims support terrorism. I have
always believed that Christianity is one of the religions that have caused
troubles in this world, as much as Islam, if not more. The only difference is
that Christianity is becoming more modern, more liberal, even though some might
disagree with this – so for me, it was to tell a story that will implicate Christians,
Muslims and pagans alike in a conspiracy to commit terrorism. You see, I am
from a political family, and mostly I witness a lot of arguments from my dad
and his friends, all politicians, and they argue about terrorism in Nigeria, so
I am conscious of the Nigerian political state including the trouble in Nigeria
now – terrorism. So I have this strong belief that a lot of Christians fund and
support terrorism directly and indirectly, perhaps for their selfish gains, be
it a quest and thirst for power, fame or wealth. Chioma, my audience are going
to view the book in different lights, and I can’t say for them. Some people are
going to criticise me a lot, especially staunch Christians and Catholics, but
Muslims will love it, except extreme ones – but that is not my concern or
business. Readers have the right to feel the way they like about a work and I
think the writer has little time in his hands to begin to be concerned about
how the audience views his work.
3. How many books have you
published, and how are they different from Satans and Shitans?
I self published a book titled ‘The Dancing Bird’ a
couple of years ago. It is an epic novel. I am working towards revising and
publishing it traditionally. ‘Satans and Shaitans’ is contemporary. That is the
4. How did you get the story ideas
explored in this novel? How did you arrive at the story for Satans and Shitans?
Remember we met at the Fidelity Bank workshop – back
then, the story was still about love and occult, then one day during the
workshop I was passing by and overheard one of the participants talking with
Helon Habila about the book he was working on – it was a romance novel, and
Helon told him that no matter how it might sound, romance was mainly for women
– I think he was joking or something, but I overheard him and I told myself
that my novel was not going to be purely based on love, that was 2011 and that
year I didn’t work much on the novel, I don’t think I worked on it at all. I
began to research on terrorism, but before then I had been reading a lot on
Islam because I intended to work on a book that differentiates jihad from
terrorism – so it was then that I turned the novel into one that explores conspiracy
theory, even though the plotline has a love story but that is about 30 percent,
it is more of conspiracy theory than it is about love. So Satans and Shaitans
tells a story of an international multi-faith occult group called the Sacred
Order of the Universal Forces, whose members in Nigeria established a terrorist
organization called the Jama’atul al-Mujahideen Jihad – with the general
objective of Islamizing northern Nigeria and controlling the Nigerian political
space. It is a strong story rooted in Christianity and Islam, and most of the
happenings in Nigeria today happened in the novel. That is my fear, it makes me
afraid, like I am a prophet and my prophesies are coming true. (Laughs)
5. How did you go about finding a
publisher for Satans and Shitans?
I would say it was the book who found a publisher
6. I know creators aren’t supposed
to have favourites, but I am tempted to ask: Is Satans and Shitans the most
favourite of all your titles? Why?
Satans and Shaitans is a lovely story, a story I never get tired of reading.
But ‘The Dancing Bird’ tends to be the one that I might want to revise all the
time. I am more in love with The Dancing Bird than with any other work I have
written thus far. But readers are going to love Satans and Shaitans more than
every other one. Even more than The Dancing Bird. It is like Achebe’s works.
Achebe once said he was more in love with The Arrow of God than with any other
of his works, but we love ‘Things Fall Apart’ more. So that is how it is. Why?
Because The Dancing Bird is epic, it is a story about my people. It is a story
that was passed on from the family line, my mother told me the story so I had
to write it – it is a story set in pre-colonial times.
Every writer has stories of struggles and challenges. Tell us about your
greatest struggle as a writer.
forgotten how to write with pen and paper. Give me pen and paper and no idea
will come to my head. So I write with my computer or with my phone. And my
greatest challenge is power failure. Where I live right now we have not had
light for like seven months so I have to depend on the power-lister in the
evenings. It means that I cannot write till evenings between 6pm to 10pm,
unless I am in the office. It is a pity. That is my greatest challenge as a
writer. The struggles to get publishers, agents, get your short stories and novels
accepted for publications is not a challenge for me – I don’t see those as
challenges, I see them as evolutionary, a crucial phase every writer must pass
8. What does writing fiction do for
you? Why do you enjoy reading and writing fiction, instead of poetry or plays?
What are the most memorable works of fiction you’ve ever read (name up to
five)? What are the most memorable work of fiction you’ve read in the past 18
months (name up to five)?
Haaa! Chioma, five? For
me, fiction is turning nothing into something. Like Iquo Diana Eke once said
about poetry, it is the process of becoming – for me fiction is the process of
making something that was just an imaginary idea turn into realism. You create
characters and events and make them come to life. Which is an amazing thing.
Something drama cannot become unless it is performed on stage, something poetry
cannot become unless it is given interpretation. So writing fiction gives me a
sense of fulfilment, of satisfaction. So my lists of favourable fictions are
The Sorrows of Satan by Maria Corelli, On Black Sisters Street by Chika Unigwe,
The Family by Mario Puzo, The Lost Symbol by Dan Brown, and Measuring Time by
Helon Habila. You said I should limit it to five. So in the past 18 months my
most memorable work of fiction are The God of Small Things, Donald Baltheme’s
‘The Bodyguard’ in fact all Baltheme’s that I have read recently, Allah is Not
Obliged, The Diary of a Dead African by Chuma Nwokolo – it is a wonderful book,
and people don’t know that, The Catcher in the Rye by J. D Salinger.
Thank you Obinna Udenwe for your time.We look forward to reading Satans and Shitans.
Obinna Udenwe has published several short stories in
literary journals and anthologies such as Kalahari Review, Fiction 365, Tribes
write magazine, Dreams at Dawn anthology and others.